Archive table — Villon Films

Egypt, market scene, horse and cart

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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Egypt, men by a river

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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Egypt, street scene, bustling, Nasser poster

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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Egypt, street scene, cafe, children and elders

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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Egypt, street scene, cars, Nasser billboard

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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Egypt, street scene, traders

1970

Peter Davis shot these stills while working as cameraman on a series of documentaries on the Middle East for CBC (Israel, Jordan, Lebanon, Egypt). President Nasser was still alive, and Davis conducted what must have been one of the last interviews, he died some months later.

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El Masna

1961

Y

Peter Davis’ first film: ‘I made my first documentary film in 1961, entitled El Masna (The Factory), for Swedish television. It was shot in an Egyptian village where young artisans made tapestries depicting everyday scenes.’

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El Masna - Script

1961

Peter Davis’ first film: ‘I made my first documentary film in 1961, entitled El Masna (The Factory), for Swedish television. It was shot in an Egyptian village where young artisans made tapestries depicting everyday scenes.’

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El Reto

1967

Cuba and Dominican Republic documentary by Elfstrom and Davis.

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Electronics Italy - 1

1980s

Y

1980s Stock footage from inside an electronics workshop/laboratory in Italy. Space electronics specialist Laben Spa of Vindrome, Milan.

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Electronics Italy - 2

1980s

Y

1980s Stock footage from inside an electronics workshop/laboratory in Italy.

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Electronics Italy - 3

1980s

Y

1980s Stock footage from inside an electronics workshop/laboratory in Italy.

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Elias Ntloedibe, Pan Africanist Congress camp, portrait

1978

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

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Elias Ntloedibe, Pan Africanist Congress camp, portrait

1978

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

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Elias Ntloedibe, Pan Africanist Congress camp, portrait

1978

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

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Elias Ntloedibe, Pan Africanist Congress camp, portrait

1978

Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).

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Elmer Anderson Carter, portrait, State Commission Against Discrimination

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, close-up

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, from above

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, head-down

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, headphones

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, headphones, close-up

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, looking forward

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, microphone

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, smiles

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, smiling

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, to camera

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Elmer Anderson Carter, portrait, State Commission Against Discrimination, wide-shot

1964

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Erbkrank

1936

Y

Erbkrank is a 1936 Nazi propaganda film directed by Herbert Gerdes. Erbkrank was one of six propagandistic movies produced by the NS-Rasse und Politisches Amt, from 1935 to 1937 to demonize people in Germany.

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Erica Rutherford - Unedited Interview

1990

Toronto, 4 January 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Erica Rutherford - Unedited Interview - Transcript

1990

Toronto, 4 January 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Erica Rutherford, portrait, Producer, African Jim

1990

Toronto, 4 January 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Erica Rutherford, portrait, Producer, African Jim

1990

Toronto, 4 January 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Ernesto “Che” Guevara - Cuba Memorial Magazine

1960s

Rare Magazine. Full colour scan pp.108 (.pdf). Available on request.

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