Archive table

Harrania, Egypt, men pose for camera

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, mid shot of working at the loom

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, mother and father pose for camera

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, people sit around drinking tea

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, Peter Davis with Camel

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, ploughing

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, ploughing by the riverbank

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, portrait of woman with hand on face

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, sheep in a field

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, small girl with fruit

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, smiling woman washing in river

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, stone building, top view

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, streetview of buildings and people

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, streetview with people and palms

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, three children look at camera

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, traditional building, long shot

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, traditional building, long shot

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, watering hole

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, woman and girl smiling

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, woman in check dress poses for camera

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, woman in dress

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, woman stares at camera

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, women at door of house

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harrania, Egypt, women sheltering from the sun

1962

 

 

Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.

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Harvey Mckinnon Productions - Flyer

1990s

 

 

Promotional materials relating to Villon/Mckinnon Films.

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Harvey Tyson - Unedited Interview

1988

 

 

Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, mostly on the subject of censorship and films.

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Heart of The Matter - Sports and Apartheid - Propaganda

1980s

 

 

Propaganda film by South African government’s Ministry of Foreign Affairs and Information that concedes a particularly neutral opinion of the country’s sports boycotts; particularly rugby union. The film focuses on the controversial 1980 British Lions tour to South Africa and the country’s efforts made towards “racially equal sport.”

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Heart of Whiteness

2000s

 

 

An exploration of white racial fears in a segregated community in South Africa.

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Henninger

1970s

 

 

Portrait of German impressionist artist Manfred Henninger, blacklisted by the Nazis. German Language.

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Henry Cele - Unedited Interview

1990

 

 

Shaka Zulu. Johannesburg, 28 July 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Here Be Dragons

2000s

 

 

Life of Nelson Mandela’s lawyer George Bizos.

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Herman Levine - Interview

1987

 

 

Herman Levine on his experience of life in the Catskills, beginning as a farmer, 1986. In 1986 Peter Davis made a doc, Rise & Fall Of The Borscht Belt, about the History of the Catskill Mountains’ Jewish resort area – the Borscht Belt. This interview was with prominent Jewish communiity member, Hemran Levine about his experience of life in the Catskills

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Herman Levine, Jewish Agricultural Society, close-up, portrait

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Herman Levine, Jewish Agricultural Society, portrait, mid-shot

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Herman Levine, Jewish Agricultural Society, profile, mid-shot

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Herman Levine, Jewish Agricultural Society, seated, mid-shot

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Herman Levine, Jewish Agricultural Society, seated, mid-shot

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Herman Levine, Jewish Agricultural Society, seated, profile, mid-shot

1984

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hi, Mom! production stills, Alan Dater, sound recordist

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Alan Dater, sound recordist

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Brian De Palma from distance

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Brian De Palma with actor looking at camera

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Charles Hirsch, producer

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro and Jennifer Salt

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro and Jennifer Salt in embrace

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro and Jennifer Salt in window

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro and Jennifer Salt talking

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro in chemist

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro in shorts in New York window

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro looks at Jennifer Salt

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro on phone, Jennifer Salt listening

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro on set

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro with other actors

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro with pipe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro with pipe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro with pipe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, De Niro with pipe

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Hi, Mom! production stills, De Niro looks at Jennifer Salt with pizza

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Jennifer Salt

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Jennifer Salt in dressing gown with others

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Lara Parker doing ballet

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Lara Parker looking in mirror

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Lara Parker looking in mirror

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, Nude woman with magazine

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Hi, Mom! production stills, seduction scene

1970

 

 

Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.

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Holiday In South Africa

1950s

 

 

Short documentary film. Filmed during the early years of apartheid rule with condescending and ignorant views. Contains b-roll of the South African landscape.

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Holidaymakers, contact sheet

1950s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hollywood Production - The Romance of Celluloid

1950s

 

Y

MGM compilation. 1950s, Hollywood Production - The Romance of Celluloid (Extract), compilation, silver screen, cinema. MGM

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Hollywood Promos 1

1950s

 

Y

1950s, Hollywood Promos 1 - (Extract), compilation, silver screen, cinema, golden age, MGM.

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Hollywood Promos 2

1950s

 

Y

1950s, Hollywood Promos 2, compilation, silver screen, cinema, golden age, MGM

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Home Movies Against Apartheid

1950s

Y

 

This unique footage includes: Muizenberg Cape Youth Festival, 1954 (all-race) Modern Youth Society, Cape Town Modern Youth Society, Simonstown Cape Town events Congress of People Bus Boycott Mass Meeting Women’s anti-pass protests Dadoo Trial (showing Michael Scott) Asian Relations Conference.

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Home Movies Of The Good Old Days

1940s

Y

Y

Compilation of American Home Movies.

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Hotel Brickman postcard

1920s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Brickman postcard

1930s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Brickman postcard

1930s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, “TO BE DEMOLISHED” grafitti

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, dining room, interior, wide shot

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, dining room, interior, wide shot

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior, abandoned vehicle

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior, abandoned vehicle

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior, rear view

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, exterior, rear view

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, flooded basketball court

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, long shot

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, long shot

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, abandoned, long shot

1982

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, people, calisthenetics, exterior, pool, high angle shot

1950s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, signs to recreational areas, exterior shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel Evans, signs to recreational areas, exterior shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel grounds, sunbather, chairs, long shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel lobby, people, interior

1950s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel pool, bathers, aerial shot

1983

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel pool, bathers, aerial shot

1983

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hotel stand up comedy, hotel grounds, exterior, small crowd, wide shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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How I Saved The Life Of Allen Ginsberg… Well, Probably… Well, Maybe…

1967

 

 

Extended article by Peter Davis taken from a celebration of the Roundhouse, Camden at 50

Hubert Julian, portrait, famous aviator, Trinidadian, African National Memorial Bookstore in Harlem

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, hands clasped, African National Memorial Bookstore in Harlem,

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, military posters in background

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, side view, African National Memorial Bookstore in Harlem,

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, smiling, African National Memorial Bookstore in Harlem,

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, suited, African National Memorial Bookstore in Harlem

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hubert Julian, portrait, famous aviator, Trinidadian, to camera, African National Memorial Bookstore in Harlem,

1964

 

 

Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.

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Hurleyville, abandoned railway station, wide shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Hurleyville, abandoned railway station, wide shot

1980s

 

 

Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.

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Iain Sinclair, Vancouver, beach, writer

2011

 

 

Image taken during an interview with London based writer and filmmaker Sinclair in 2011 during the Dialektikon interviews.

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Iain Sinclair, Vancouver, beach, writer

2011

 

 

Image taken during an interview with London based writer and filmmaker Sinclair in 2011 during the Dialektikon interviews.

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Ikusasa

1990s

 

 

Peter Ngwenya’s Children’s Theatre of Soweto Ngema’s troupe, “Channel 46” solo performance.

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Im Kampf Gegen Den Weltfeind

1939

 

Y

Propaganda film about Spanish Civil War

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Images Of South Africa

1950s

 

 

This propaganda film presents South Africa as the major industrial power of Africa, highlighting its nuclear power capabilities and industrial development. Contains b-roll of heavy industry.

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Immigrants

1964

 

Y

Fascinating documentary examination of post-war migrant communities in Britain.

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Immigrants - Out Takes

1964

 

Y

Outtakes from Peter Davis and Lamm’s film. This Swedish TV film is a fascinating examination of postwar migrant communities in Britain. Through a series of interviews, we’re given insight into the role race and immigration played in mid-1960s British society - and forced to confront the reality that new migrants were not only unwelcome, but also not seen as social equals. Impressively, the film gives voice to the immigrants themselves, to their experiences and their feelings about their impact on English society. Unsettlingly, much of what is said has continued relevance today.

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Immigrants, West London, Boy smiling in street

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Boys in Church portrait

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Builder

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Building Site

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Couple in Church portrait

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Down With Mosley Graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants. Anti-Oswald Mosley graffitti.

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Immigrants, West London, Family in Church portrait

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Garmentworkers in factory

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Girl in Church portrait

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Lady going to church

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Launderette

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road Butchers

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road Market

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road Market

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road Poster, Porchester Hall West Indian New Year’s Eve Ball

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road Poster, Porchester Hall West Indian New Year’s Eve Ball

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road street traders

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Portobello Road, Searjeant and Co. Stationers, Street scene

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Primary School

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Primary School

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Racist Graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Racist Graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Racist Poster

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Robertson’s Racist Golliwog

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Robertsons Racist Golliwog

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Street scene

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Street scene

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Street scene and graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Street scene and graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Support Mosley Graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Wall Graffiti

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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Immigrants, West London, Woman in Church portrait

1964

 

 

Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.

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In Africa, Diamonds Are Forever - Uppsala Conference

2007

 

 

Poster for symposium with Davis’ abstract, and speakers. pp.4.

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In Africa, Diamonds Are Forever… Essay

2009

 

 

From The Great Kimberley Diamond Robbery to Blood Diamond. Essay. Peter Davis. pp.19.

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In Darkest Hollywood - Award

1994

 

 

Award certifcate for Peter Davis and Daniel Riesenfeld’s In Darkest Hollywod, given at the 16th Big Muddy Festival, School of Media Arts at Southern Illinois University Carbondale.

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In Darkest Hollywood - Book

1996

 

 

Peter Davis’ book In Darkest Hollywood: Exploring the jungles of cinema’s South Africa. Newly scanned in January 2023 and available as a full download.

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In Darkest Hollywood - Book Review

1994

 

 

Review of Peter Davis’ book In Darkest Hollywood: Exploring the jungles of Cinema’s South Africa. Southern African Review of Books. January February 1994.

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In Darkest Hollywood - Festival List

1997

 

 

In Darkest Hollywood - Festival List.

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In Darkest Hollywood - Intercom Film and Video Festival

1993

 

 

Gold Plaque Award presented by Ellis Goodman.

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In Darkest Hollywood - Programme Notes - Amsterdam Film Festival

2000

 

 

Screening notes, Cinema Of South Africa. pp.2.

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In Darkest Hollywood - Programme Notes - Brooklyn Museum

1994

 

 

Notes from a screening at The Second Annual New York African Film Festival, May 14th 1994.

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In Darkest Hollywood - Programme Notes - Milan African Film Festival

2003

 

 

Notes from the festival brochure.

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In Darkest Hollywood - Sydney Film Festival

1994

 

 

Screening certificate from Sydney, 1994.

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In Darkest Hollywood Book - Review

1994

 

 

Review of Peter Davis’ book In Darkest Hollywood: Exploring the Jungles of Cinema’s South Africa in November’s Ohio University Press.

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In Darkest Hollywood: Cinema and Apartheid - Book Review

2003

 

 

Review of Peter Davis’ book In Darkest Hollywood: Exploring the Jungles of Cinema’s South Africa. H-Net. Review by Maureen N. Eke.

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In Darkest Hollywood: Cinema and Apartheid - Review

1998

 

 

By Robert J. Gordon and Glen Elder in American Anthropologist, Vol. 100 No.4. pp.4.

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In Darkest Hollywood: Cinema and Apartheid - Review

1994

 

 

Long-form essay. By David Pottie in Reverse Shot magazine. pp.5.

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In Darkest Hollywood: Cinema and Apartheid - Review

1995

 

 

In Green Left Review. pp.2.

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In Darkest Hollywood: Cinema and Apartheid - Review

1994

 

 

In Haiti Progres magazine. French langauge.

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In Darkest Hollywood: Cinema and Apartheid - Review

1997

 

 

In Black Camera journal, by Aimee Hall.

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In Darkest Hollywood: Cinema and Apartheid - Review

1998

 

 

Review in Black Movie journal. Geneva. French/English. April 1998.

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In Darkest Hollywood: Cinema and Apartheid - Review

1997

 

 

By Cassandra Ellis, Cineaste journal.

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In Darkest Hollywood: Cinema and Apartheid - Review

1993

 

 

Frecnh language. In Montréal magazine.

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In Darkest Hollywood: Cinema and Apartheid - Review

1993

 

 

French Language review. Festival International du Nouveau Cinema And Video Montréal.

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In Darkest Hollywood: Cinema and Apartheid - Review

1994

 

 

In Montréal Mirror. 23 June 1994.

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In Darkest Hollywood: Cinema and Apartheid - Variety Review

1994

 

 

Review by Howard Feinstein. Variety Magazine, April 18-24 - 1994.

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In Darkest Hollywood: Cinema and Apartheid - VHS Sleeve

1993

 

 

Almost from the beginning of cinema, filmmakers have looked at the continent of Africa with a mixture of fear and fascination, prejudice and contempt. South Africa, with its fabulous mineral wealth, exotic locations, and white settlers, attracted scores of movie makers. Now, when the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?

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In Darkest Hollywood: Cinema and Apartheid, Part 1

1993

 

 

IN DARKEST HOLLYWOOD asks, what was the role of cinema during the 45 year reign of apartheid?

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In Darkest Hollywood: Cinema and Apartheid, Part 2

1994

 

 

Almost from the beginning of cinema, filmmakers have looked at the continent of Africa with a mixture of fear and fascination, prejudice and contempt. South Africa, with its fabulous mineral wealth, exotic locations, and white settlers, attracted scores of movie makers. Now, when the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?

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In Darkest Hollywood: Cinema and Apartheid, Part 2 - Script

1994

 

 

Almost from the beginning of cinema, filmmakers have looked at the continent of Africa with a mixture of fear and fascination, prejudice and contempt. South Africa, with its fabulous mineral wealth, exotic locations, and white settlers, attracted scores of movie makers. Now, when the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?

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India Dance - B-roll

1970s

 

 

Public Domain. B-roll.

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Indiana University - International Journal - Peter Davis

2013

 

 

Getting The Story of Apartheid - Peter Davis and Villon Films focus. pp.6.

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Interview - Peter Davis - NORTH Magazine (Danish language)

1982

 

 

Interview with Peter Davis in NORTH Magazine (Danish language) about his career. pp.4.

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Interview Transcript - Adelaide Tambo

1985

 

 

Interview Transcript - Adelaide Tambo, African National Congress

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Interview With Lord Bethell

1985

 

 

1985, Lord Bethell meeting Nelson Mandela At Pollsmoor Prison, South Africa.

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Interview With Mary Benson

1985

 

 

Interview

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Interview With Oliver Tambo

1984

 

 

ANC HQ, Lusaka, 1984 (20 minutes) About Nelson Mandela and the ANC Together with Oliver Tambo at Harlem Baptist Church, 1986 (13 minutes), after naming of New York street after Nelson & Winnie

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Interview With Stuart Udall

1989

 

 

American politician and later, a federal government official. After serving three terms as a congressman from Arizona, he served as Secretary of the Interior from 1961 to 1969, under presidents John F. Kennedy and Lyndon B. Johnson. In this interview he talks mostly about his son who was a conscientious objector and fled to Canada instead of being drafted. From a pioneer Arizona family.

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Interview With Ted Kennedy

1989

 

 

Interview with Ted Kennedy in his Senate Office (Democrat, Massachusetts) in March/April 1989 where he is asked about offering amnesty to draft dodgers.

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Interview With Zenani Mandela

1986

 

 

Interview with Zenani Mandela. Princes Mandela-Dlamini, daughter of Winnie & Nelson Mandela.

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Interview With Zenani Mandela - Transcript

1986

 

 

Interview with Zenani Mandela. Princes Mandela-Dlamini, daughter of Winnie & Nelson Mandela.

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Irwin Maniom - Unedited Interview

1988

 

 

Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, mostly on the subject of censorship and films.

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Irwin Manoim and Gilbert Marcus - Unedited Interview

1980s

 

 

Irwin Manoim is a former journalist and newspaper editor who is now researching Jewish history in South Africa. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Isabel Hofmeyer - Unedited Interview

1989

 

 

Johannesburg. Historian. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Isidore Williem Schlesinger, portrait, African Film Productions

1900s

 

 

Isidore Williem Schlesinger, portrait, African Film Productions

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Israel in the Sixties

1969

 

Y

Kibbutz life, B-roll, rushes. Landscape. Tel Aviv. Yitzhak Rabin. Jerusalem city views. Military police. Palestinian refugees. Seaside and spa life. Prime Minister Golda Meir press conference. Women soldiers marching. Landscapes of Masada. Youth dancing.

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Italo Bernicchi - Unedited Interview

1990

 

 

Cinema owner and projectionist, Johannesburg, 26 July 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.

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Italy, Bandiera per la Pace, Florence, aerial

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, aerial, cathedral square

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, aerial, wide

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, backstreet

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, backstreet, flag, washing

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, Cathedral

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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Italy, Bandiera per la Pace, Florence, Cathedral, aerial

2003

 

 

Collection of stills taken by Peter Davis in taken in Milan, Pisa, Siena, Florence, and Garda to document the Bandiera per la Pace, in Italy, 2003.

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