Gustav Metzger, portrait, close, leather chair
2011
Image taken during an interview with Gustav Metzger 2011 during the Dialektikon interviews, at SPACE Studios, Hackney.
vf_fjivzfgrqq
Hana, Vietnamese Teacher
1950s-1960s
Y
Vietnamese Teacher. E. German Communist film about the war in Vietnam
vf_hmzurntkxs
Hands Across The Border
1950s
This propaganda film aims to offer an explanation for white immigrants about the ‘problem’ of Bantu migration to the cities, with emphasis on the state’s establishment of black ‘homelands’ to raise the Bantu peoples standard of living.
vf_axcztfwddo
Harlem bar, bar scene
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_nourwxyafl
Harlem bar, bar scene, woman at jukebox, selecting
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_hqbzjvrock
Harlem bar, bar scene, woman at jukebox, smiling
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_euprkhmftg
Harlem bar, barman
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_bfliefjygs
Harlem bar, barman serves customers
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_wcfgecshyz
Harlem bar, barman, portrait
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ibaqdyqxls
Harlem bar, long-shot of bar
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_gfliqdnrah
Harlem bar, man in leather jacket and hat
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_idamhiazcp
Harlem bar, man in trilby, drinking
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_jslakyjpqv
Harlem bar, man with short hair, drinking
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_fistspjaeo
Harlem bar, people waiting, action
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_dfuvkcrosv
Harlem bar, silhouette, man in hat
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_jcsljehxra
Harlem bar, wide-shot of bar, mirrors
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_toqjldzwxj
Harlem bar, woman stares back at camera, people on barstools
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_huyurrwloq
Harlem, New York City, bar, pool playing
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ntmtckhapq
Harlem, New York City, child on swing, cropped image
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_bcvednckmd
Harlem, New York City, emergency services vehicle, street scene
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_lcerdemsoq
Harlem, New York City, John Hancock School protest, man with recorder
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_hdseioarjw
Harlem, New York City, John Hancock School protest, people gather, winter
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_qcgpymhavt
Harlem, New York City, John Hancock School protest, women and children link arms
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_qmtcfcnrrx
Harlem, New York City, John Hancock School, signage
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_tuhwaenzay
Harlem, New York City, John Hancock School, USA flag, police
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_dossbjqjhy
Harlem, New York City, Mademoiselle May, Indian Healer, signage
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_wrmfkqdpwe
Harlem, New York City, man in suit, pool cue
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_pxizbymexa
Harlem, New York City, men outside of shop
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ttizvfatkm
Harlem, New York City, men playing pool
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ynkfagacmo
Harlem, New York City, people gather on street corner
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_wycefpxdwb
Harlem, New York City, people meeting on the street
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_bhyfcobptg
Harlem, New York City, playground, portrait, four children
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_tnlylsqpsz
Harlem, New York City, playground, portrait, small girl
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_qeaxjqzkea
Harlem, New York City, playground, portrait, three children
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_uchthfatma
Harlem, New York City, playground, portrait, three children looking away
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_wzkcsjjkkb
Harlem, New York City, playground, portrait, two children
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_woqeccjwoo
Harlem, New York City, police officers
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_pduygiwdyg
Harlem, New York City, portrait, man in hat
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_kuyybqbicv
Harlem, New York City, portrait, woman, laughing, soft focus
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_beaohbbbkz
Harlem, New York City, portrait, woman, smiling, bow in hair
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_eeuucfqdke
Harlem, New York City, small child, hat, portrait
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_egoxizhgkw
Harlem, New York City, small child, leather hat, portrait
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_aovzlgxxan
Harlem, New York City, small child, woolen hat, portrait, smiling
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_fwpoudrsvg
Harlem, New York City, small child, woolen hat, portrait, smiling, looking at camera
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_sdefjsozju
Harlem, New York City, small child, woolen hat, portrait, smiling, looking up
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_bdsknrmcmq
Harlem, New York City, street protest, police
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ercbrkakvh
Harlem, New York City, street scene, boys and girls, winter clothes
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_pziotdjnba
Harlem, New York City, street scene, cars rush by
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_thyvwvbrpy
Harlem, New York City, street scene, cars, brownstone
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_gxmmknvvpj
Harlem, New York City, street scene, man on a bench with dog
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_lghwqeiius
Harlem, New York City, street scene, people shopping
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_jqveboyjek
Harlem, New York City, street scene, people walking
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_xafavwqtao
Harlem, New York City, street scene, portrait, man cigar, MJR Meat Market sign
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_mdqmkoiduw
Harlem, New York City, street scene, portrait, woman winter coat
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_lkhtasodja
Harlem, New York City, street scene, protest
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ecugajaqdl
Harlem, New York City, street scene, protestors gather
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_giyyxstezg
Harlem, New York City, two boys, portrait
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_hhysvknann
Harlem, New York City, two boys, portrait, pointing finger
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_nttjnzhldx
Harlem, New York City, two women, man films on Bolex
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_waoawgxkwk
Harlem, New York City, Victoria’s Laundry, Mademoiselle May Indian Healer
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_zcyjymfmro
Harlem, New York City, Victoria’s Laundry, Mademoiselle May Indian HEaler
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_ojivciqbbh
Harlem, New York City, Volkswagen Beetle, Yes The Boycott Is On! sign
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_wrpwtubrdd
Harlem, New York City, worker in front of Department of Water Supply, GAs and Electricity van
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
vf_owvgdrsvas
Harrania, Egypt, ancient stonework and hieroglyphics
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_zxgomgigqn
Harrania, Egypt, ancient stonework and hieroglyphics
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_yblulwmbqt
Harrania, Egypt, bedroom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_whrvxljutd
Harrania, Egypt, birds in courtyard while washing dries
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_cvjcuimgiv
Harrania, Egypt, boy at loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_pxfpyhdvon
Harrania, Egypt, boy holds tapestry while girl weaves
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_ncjwrntkqy
Harrania, Egypt, boy playing flute
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_uixuwfchnb
Harrania, Egypt, boy poses for camera, camel in background
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_rqvmyjissj
Harrania, Egypt, boy sits near handcart
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_nvxbfubksq
Harrania, Egypt, boy stands on wall
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_ifwaalcrko
Harrania, Egypt, boy with cane
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_hjeosxrflz
Harrania, Egypt, boys travel on horseback with crops
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_fqppotoxpf
Harrania, Egypt, children on looms weaving
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_ywbbfksgzd
Harrania, Egypt, children on looms weaving
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_gddvnnaziy
Harrania, Egypt, children stand around
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_wncqkoqrji
Harrania, Egypt, close up of boys feet and shoes
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_zenvqsqcmn
Harrania, Egypt, close up of loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_fnlgxmfvex
Harrania, Egypt, close up of tapestry
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_qcxcnoqokx
Harrania, Egypt, close up of tapestry
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_kfiathgwfv
Harrania, Egypt, close up of tapestry
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_aqtynytmmh
Harrania, Egypt, courtyard
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_qwdpsokdve
Harrania, Egypt, courtyard with boy carrying water
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_ntotbozrnk
Harrania, Egypt, cows and people on bridge
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_ytegqjtogs
Harrania, Egypt, cows under tree shelter
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_powucjrtbf
Harrania, Egypt, cracked building with boy in foreground
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_xeixhjatzi
Harrania, Egypt, crumbling houses
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_uffqwvamkr
Harrania, Egypt, digging out new river
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_kitijgxrzw
Harrania, Egypt, family pose for photograph traditional dress
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
vf_qssixvlkhw
Harrania, Egypt, girl at loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl at loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl at loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl carrying items on head walking by the river
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl working with clay
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girls sort laundry
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, group of men in shelter
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, horse against a wall
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, landscape with buildings
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, lunchtime
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man in shadows, chicken runs by
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man on horse with cow
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man posing with fruit crop
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man sits on bench
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man smiling by riverbank
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man waits with horse
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man with cigarette under trees
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mass gathering
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mass gathering and band play in village square
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, men pose for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mid shot of working at the loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mother and father pose for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, people sit around drinking tea
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, Peter Davis with Camel
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, ploughing
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, ploughing by the riverbank
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, portrait of woman with hand on face
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, sheep in a field
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, small girl with fruit
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, smiling woman washing in river
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, stone building, top view
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, streetview of buildings and people
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, streetview with people and palms
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, three children look at camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, traditional building, long shot
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, traditional building, long shot
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, watering hole
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman and girl smiling
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman in check dress poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman in dress
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman stares at camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, women at door of house
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, women sheltering from the sun
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harvey Mckinnon Productions - Flyer
1990s
Promotional materials relating to Villon/Mckinnon Films.
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Harvey Tyson - Unedited Interview
1988
Unedited interviews with Harvey Tyson, a South African author, political correspondent, senior reporter and newspaper editor.
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Heart Of The Congo
2004
Amid threats of violence, corruption, and a legacy of colonial dependency, aid workers help refugees in the Congo who have lost everything.
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Heart of The Matter - Sports and Apartheid - Propaganda
1980s
Propaganda film by South African government’s Ministry of Foreign Affairs and Information that concedes a particularly neutral opinion of the country’s sports boycotts; particularly rugby union. The film focuses on the controversial 1980 British Lions tour to South Africa and the country’s efforts made towards “racially equal sport.”
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Heart of Whiteness
2006
An exploration of white racial fears in a segregated community in South Africa.
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Hendrik Verwoerd - Newsreel Compilation
1960s
Y
Y
Features: 1960 Meeting with PM Howard MacMillan in Cape Town, unveiling of statue of Unknown Warrior. Bus unloads protesters during State of Emergency (1960) Speeches by Verwoerd. Funeral in 1966.
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Henninger
1970s
Portrait of German impressionist artist Manfred Henninger, blacklisted by the Nazis. German Language.
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Henry Cele - Unedited Interview
1990
Shaka Zulu. Johannesburg, 28 July 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.
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Here Be Dragons
2000s
Life of Nelson Mandela’s lawyer George Bizos.
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Herman Levine - Interview
1986
Herman Levine on his experience of life in the Catskills, beginning as a farmer and as part of the Jewish Agricultural Society.
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Herman Levine, Jewish Agricultural Society, close-up, portrait
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, portrait, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, profile, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, profile, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hi, Mom! production stills, Alan Dater, sound recordist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Alan Dater, sound recordist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Brian De Palma from distance
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Brian De Palma with actor looking at camera
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Charles Hirsch, producer
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt in embrace
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt in window
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt talking
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro in chemist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro in shorts in New York window
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro on phone, Jennifer Salt listening
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro on set
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with other actors
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Hi, Mom! production stills, De Niro looks at Jennifer Salt with pizza
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Jennifer Salt in dressing gown with others
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker doing ballet
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker looking in mirror
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker looking in mirror
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Nude woman with magazine
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, seduction scene
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Holiday In South Africa
1950s
Short documentary film. Filmed during the early years of apartheid rule with condescending and ignorant views. Contains b-roll of the South African landscape.
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Holidaymakers, contact sheet
1950s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hollywood Production - The Romance of Celluloid
1950s
Y
MGM compilation. 1950s, Hollywood Production - The Romance of Celluloid (Extract), compilation, silver screen, cinema. MGM
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Hollywood Promos 1
1950s
Y
1950s, Hollywood Promos 1 - (Extract), compilation, silver screen, cinema, golden age, MGM.
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Hollywood Promos 2
1950s
Y
1950s, Hollywood Promos 2, compilation, silver screen, cinema, golden age, MGM
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Home Movies Against Apartheid
1950s
Y
This unique footage includes: Muizenberg Cape Youth Festival, 1954 (all-race) Modern Youth Society, Cape Town Modern Youth Society, Simonstown Cape Town events Congress of People Bus Boycott Mass Meeting Women’s anti-pass protests Dadoo Trial (showing Michael Scott) Asian Relations Conference.
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Home Movies Of The Good Old Days
1940s
Y
Y
Compilation of American Home Movies.
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Hotel Brickman postcard
1930s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Brickman postcard
1920s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Brickman postcard
1930s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, “TO BE DEMOLISHED” grafitti
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, dining room, interior, wide shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, dining room, interior, wide shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, abandoned vehicle
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, abandoned vehicle
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, rear view
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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