Harrania, Egypt, girl poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girl working with clay
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, girls sort laundry
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, group of men in shelter
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, horse against a wall
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, landscape with buildings
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, lunchtime
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man in shadows, chicken runs by
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man on horse with cow
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man posing with fruit crop
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man sits on bench
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man smiling by riverbank
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man waits with horse
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, man with cigarette under trees
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mass gathering
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mass gathering and band play in village square
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, men pose for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mid shot of working at the loom
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, mother and father pose for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, people sit around drinking tea
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, Peter Davis with Camel
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, ploughing
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, ploughing by the riverbank
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, portrait of woman with hand on face
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, sheep in a field
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, small girl with fruit
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, smiling woman washing in river
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, stone building, top view
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, streetview of buildings and people
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, streetview with people and palms
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, three children look at camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, traditional building, long shot
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, traditional building, long shot
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, watering hole
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman and girl smiling
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman in check dress poses for camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman in dress
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, woman stares at camera
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, women at door of house
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harrania, Egypt, women sheltering from the sun
1962
Stills taken during Peter Davis’ production of the film, El Masna. In 1951, Wissa Wassef founded the Ramses Wissa Wassef Art Centre near the Giza Pyramids to teach young Egyptian villagers how to create art and tapestries.
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Harvey Mckinnon Productions - Flyer
1990s
Promotional materials relating to Villon/Mckinnon Films.
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Harvey Tyson - Unedited Interview
1988
Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, mostly on the subject of censorship and films.
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Heart of The Matter - Sports and Apartheid - Propaganda
1980s
Propaganda film by South African government’s Ministry of Foreign Affairs and Information that concedes a particularly neutral opinion of the country’s sports boycotts; particularly rugby union. The film focuses on the controversial 1980 British Lions tour to South Africa and the country’s efforts made towards “racially equal sport.”
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Heart of Whiteness
2000s
An exploration of white racial fears in a segregated community in South Africa.
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Henninger
1970s
Portrait of German impressionist artist Manfred Henninger, blacklisted by the Nazis. German Language.
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Henry Cele - Unedited Interview
1990
Shaka Zulu. Johannesburg, 28 July 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.
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Here Be Dragons
2000s
Life of Nelson Mandela’s lawyer George Bizos.
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Herman Levine - Interview
1987
Herman Levine on his experience of life in the Catskills, beginning as a farmer and as part of the Jewish Agricultural Society, 1986.
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Herman Levine, Jewish Agricultural Society, close-up, portrait
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, portrait, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, profile, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Herman Levine, Jewish Agricultural Society, seated, profile, mid-shot
1984
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hi, Mom! production stills, Alan Dater, sound recordist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Alan Dater, sound recordist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Brian De Palma from distance
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Brian De Palma with actor looking at camera
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Charles Hirsch, producer
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt in embrace
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt in window
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro and Jennifer Salt talking
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro in chemist
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro in shorts in New York window
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro looks at Jennifer Salt in cafe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro on phone, Jennifer Salt listening
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro on set
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with other actors
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, De Niro with pipe
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Hi, Mom! production stills, De Niro looks at Jennifer Salt with pizza
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Jennifer Salt
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Jennifer Salt in dressing gown with others
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker doing ballet
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker looking in mirror
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Lara Parker looking in mirror
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, Nude woman with magazine
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Hi, Mom! production stills, seduction scene
1970
Stills taken during the production of Brian De Palma’s 70s film, Hi, Mom! with Robert De Niro. The film is a 1970 American black comedy film by Brian De Palma, and is one of Robert De Niro’s first movies. De Niro reprises his role of Jon Rubin from Greetings (1968). In this film, Rubin is a fledgling “adult filmmaker” who has an idea to post cameras at his window and film his neighbors.
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Holiday In South Africa
1950s
Short documentary film. Filmed during the early years of apartheid rule with condescending and ignorant views. Contains b-roll of the South African landscape.
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Holidaymakers, contact sheet
1950s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hollywood Production - The Romance of Celluloid
1950s
Y
MGM compilation. 1950s, Hollywood Production - The Romance of Celluloid (Extract), compilation, silver screen, cinema. MGM
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Hollywood Promos 1
1950s
Y
1950s, Hollywood Promos 1 - (Extract), compilation, silver screen, cinema, golden age, MGM.
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Hollywood Promos 2
1950s
Y
1950s, Hollywood Promos 2, compilation, silver screen, cinema, golden age, MGM
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Home Movies Against Apartheid
1950s
Y
This unique footage includes: Muizenberg Cape Youth Festival, 1954 (all-race) Modern Youth Society, Cape Town Modern Youth Society, Simonstown Cape Town events Congress of People Bus Boycott Mass Meeting Women’s anti-pass protests Dadoo Trial (showing Michael Scott) Asian Relations Conference.
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Home Movies Of The Good Old Days
1940s
Y
Y
Compilation of American Home Movies.
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Hotel Brickman postcard
1920s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Brickman postcard
1930s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Brickman postcard
1930s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, “TO BE DEMOLISHED” grafitti
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, dining room, interior, wide shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, dining room, interior, wide shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, abandoned vehicle
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, abandoned vehicle
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, rear view
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, exterior, rear view
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, flooded basketball court
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, long shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, long shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, abandoned, long shot
1982
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, people, calisthenetics, exterior, pool, high angle shot
1950s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, signs to recreational areas, exterior shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel Evans, signs to recreational areas, exterior shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel grounds, sunbather, chairs, long shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel lobby, people, interior
1950s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel pool, bathers, aerial shot
1983
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel pool, bathers, aerial shot
1983
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hotel stand up comedy, hotel grounds, exterior, small crowd, wide shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hubert Julian, portrait, famous aviator, Trinidadian, African National Memorial Bookstore in Harlem
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, hands clasped, African National Memorial Bookstore in Harlem,
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, military posters in background
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, side view, African National Memorial Bookstore in Harlem,
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, smiling, African National Memorial Bookstore in Harlem,
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, suited, African National Memorial Bookstore in Harlem
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hubert Julian, portrait, famous aviator, Trinidadian, to camera, African National Memorial Bookstore in Harlem,
1964
Photos taken by cinematographer and film-maker Robert Elfstrom during the year of 1964 in New York, and the Deep South of the United States of America, at a time of Civil Rights protest and campaigning. Elfstrom was making a documentary for Swedish TV at the time, Sons Of Uncle Tom.
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Hurleyville, abandoned railway station, wide shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Hurleyville, abandoned railway station, wide shot
1980s
Items relating to the history of the New York Catskill Mountains’ Jewish resort area – the Borscht Belt.
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Iain Sinclair, Vancouver, beach, writer
2011
Image taken during an interview with London based writer and filmmaker Sinclair in 2011 during the Dialektikon interviews.
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Iain Sinclair, Vancouver, beach, writer
2011
Image taken during an interview with London based writer and filmmaker Sinclair in 2011 during the Dialektikon interviews.
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Ikusasa
1990s
Peter Ngwenya’s Children’s Theatre of Soweto Ngema’s troupe, “Channel 46” solo performance.
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Im Kampf Gegen Den Weltfeind
1939
Y
Propaganda film about Spanish Civil War
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Images Of South Africa
1950s
This propaganda film presents South Africa as the major industrial power of Africa, highlighting its nuclear power capabilities and industrial development. Contains b-roll of heavy industry.
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Immigrants
1964
Y
Fascinating documentary examination of post-war migrant communities in Britain.
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Immigrants - Out Takes
1964
Y
Outtakes from Peter Davis and Lamm’s film. This Swedish TV film is a fascinating examination of postwar migrant communities in Britain.
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Immigrants, West London, Boy smiling in street
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Boys in Church portrait
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Builder
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Building Site
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Couple in Church portrait
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Down With Mosley Graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants. Anti-Oswald Mosley graffitti.
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Immigrants, West London, Family in Church portrait
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Garmentworkers in factory
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Girl in Church portrait
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Lady going to church
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Launderette
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road Butchers
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road Market
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road Market
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road Poster, Porchester Hall West Indian New Year’s Eve Ball
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road Poster, Porchester Hall West Indian New Year’s Eve Ball
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road street traders
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Portobello Road, Searjeant and Co. Stationers, Street scene
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Primary School
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Primary School
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Racist Graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Racist Graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Racist Poster
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Robertson’s Racist Golliwog
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Robertsons Racist Golliwog
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Street scene
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Street scene
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Street scene and graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Street scene and graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Support Mosley Graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Wall Graffiti
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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Immigrants, West London, Woman in Church portrait
1964
Stills taken during Peter Davis’ and Staffan Lamm’s production of the film, Immigrants.
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In Africa, Diamonds Are Forever - Uppsala Conference
2007
Poster for symposium with Davis’ abstract, and speakers. pp.4.
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In Africa, Diamonds Are Forever… Essay
2009
From The Great Kimberley Diamond Robbery to Blood Diamond. Essay. Peter Davis. pp.19.
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In Darkest Hollywood - Award
1994
Award certifcate for Peter Davis and Daniel Riesenfeld’s In Darkest Hollywod, given at the 16th Big Muddy Festival, School of Media Arts at Southern Illinois University Carbondale.
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In Darkest Hollywood - Book
1996
Peter Davis’ book In Darkest Hollywood: Exploring the jungles of cinema’s South Africa. Newly scanned in January 2023 and available as a full download.
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In Darkest Hollywood - Book Review
1994
Review of Peter Davis’ book In Darkest Hollywood: Exploring the jungles of Cinema’s South Africa. Southern African Review of Books. January February 1994.
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In Darkest Hollywood - Festival List
1997
In Darkest Hollywood - Festival List.
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In Darkest Hollywood - Intercom Film and Video Festival
1993
Gold Plaque Award presented by Ellis Goodman.
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In Darkest Hollywood - Programme Notes - Amsterdam Film Festival
2000
Screening notes, Cinema Of South Africa. pp.2.
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In Darkest Hollywood - Programme Notes - Brooklyn Museum
1994
Notes from a screening at The Second Annual New York African Film Festival, May 14th 1994.
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In Darkest Hollywood - Programme Notes - Milan African Film Festival
2003
Notes from the festival brochure.
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In Darkest Hollywood - Sydney Film Festival
1994
Screening certificate from Sydney, 1994.
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In Darkest Hollywood Book - Review
1994
Review of Peter Davis’ book In Darkest Hollywood: Exploring the Jungles of Cinema’s South Africa in November’s Ohio University Press.
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In Darkest Hollywood: Cinema and Apartheid - Book Review
2003
Review of Peter Davis’ book In Darkest Hollywood: Exploring the Jungles of Cinema’s South Africa. H-Net. Review by Maureen N. Eke.
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In Darkest Hollywood: Cinema and Apartheid - Review
1998
By Robert J. Gordon and Glen Elder in American Anthropologist, Vol. 100 No.4. pp.4.
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In Darkest Hollywood: Cinema and Apartheid - Review
1994
Long-form essay. By David Pottie in Reverse Shot magazine. pp.5.
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In Darkest Hollywood: Cinema and Apartheid - Review
1995
In Green Left Review. pp.2.
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In Darkest Hollywood: Cinema and Apartheid - Review
1994
In Haiti Progres magazine. French langauge.
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In Darkest Hollywood: Cinema and Apartheid - Review
1997
In Black Camera journal, by Aimee Hall.
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In Darkest Hollywood: Cinema and Apartheid - Review
1998
Review in Black Movie journal. Geneva. French/English. April 1998.
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In Darkest Hollywood: Cinema and Apartheid - Review
1997
By Cassandra Ellis, Cineaste journal.
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In Darkest Hollywood: Cinema and Apartheid - Review
1993
Frecnh language. In Montréal magazine.
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In Darkest Hollywood: Cinema and Apartheid - Review
1993
French Language review. Festival International du Nouveau Cinema And Video Montréal.
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In Darkest Hollywood: Cinema and Apartheid - Review
1994
In Montréal Mirror. 23 June 1994.
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In Darkest Hollywood: Cinema and Apartheid - Variety Review
1994
Review by Howard Feinstein. Variety Magazine, April 18-24 - 1994.
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In Darkest Hollywood: Cinema and Apartheid - VHS Sleeve
1993
Almost from the beginning of cinema, filmmakers have looked at the continent of Africa with a mixture of fear and fascination, prejudice and contempt. South Africa, with its fabulous mineral wealth, exotic locations, and white settlers, attracted scores of movie makers. Now, when the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?
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In Darkest Hollywood: Cinema and Apartheid, Part 1
1993
IN DARKEST HOLLYWOOD asks, what was the role of cinema during the 45 year reign of apartheid?
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In Darkest Hollywood: Cinema and Apartheid, Part 2
1994
When the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?
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In Darkest Hollywood: Cinema and Apartheid, Part 2 - Script
1994
Almost from the beginning of cinema, filmmakers have looked at the continent of Africa with a mixture of fear and fascination, prejudice and contempt. South Africa, with its fabulous mineral wealth, exotic locations, and white settlers, attracted scores of movie makers. Now, when the era of white rule has ended, IN DARKEST HOLLYWOOD asks, What was the role of cinema during the 45 year reign of apartheid?
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Indiana University - International Journal - Peter Davis
2013
Getting The Story of Apartheid - Peter Davis and Villon Films focus. pp.6.
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Interview - Peter Davis - NORTH Magazine (Danish language)
1982
Interview with Peter Davis in NORTH Magazine (Danish language) about his career. pp.4.
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Interview Transcript - Adelaide Tambo
1985
Interview Transcript - Adelaide Tambo, African National Congress
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Interview With Lord Bethell
1985
1985, Lord Bethell meeting Nelson Mandela At Pollsmoor Prison, South Africa.
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Interview With Mary Benson
1985
Interview
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Interview With Oliver Tambo
1984
ANC HQ, Lusaka, 1984 (20 minutes) About Nelson Mandela and the ANC Together with Oliver Tambo at Harlem Baptist Church, 1986 (13 minutes), after naming of New York street after Nelson & Winnie
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Interview With Stuart Udall
1989
American politician and later, a federal government official. After serving three terms as a congressman from Arizona, he served as Secretary of the Interior from 1961 to 1969, under presidents John F. Kennedy and Lyndon B. Johnson. In this interview he talks mostly about his son who was a conscientious objector and fled to Canada instead of being drafted. From a pioneer Arizona family.
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