Royal Hospital, Chelsea Pensioners, canteen, aerial
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, canteen, aerial, staff serving
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, children in uniform
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, duo walking to camera
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, entrance exterior
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, fabric repair room
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, fixing fabrics
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, gravestones, M. Robert Rankin
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, Great War statue
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, group walking to camera
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, lone pensioner, street view
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, man in courtyard
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, man leaning on bench
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, man sat on bench, moped
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, military statue
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, military statue exterior
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, portrait, close-up
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, portrait, male
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, portrait, serious
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, portrait, sitting
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, portrait, smiling
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, smiling pensioner
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, street view of hospital
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, textiles loom
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, wide shot exterior
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, wide shot exterior, cannon
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, wide shot exterior, man middle distance
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Royal Hospital, Chelsea Pensioners, wide shot exterior, statue
1966
Stills taken during Peter Davis’ and Staffan Lamm’s production of the Chelsea Pensioner documentary film, Royal Hospital in Chelsea, West London.
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Russian Liberation Of The Concentration Camps
1945
Russian film about the liberation of the concentration camps.
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Samora Machel Documentary And Interview
1985
Documentary and interview with the former Mozambican military commander and political leader. A socialist in the tradition of Marxism–Leninism, he served as the first President of Mozambique from the country’s independence in 1975.
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Sandy Balfour - Unedited Interview
1989
London. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.
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Sangoma
1998
Zulu traditional healers and their work in plant conservation and primary health care, including AIDS.
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Sangoma - Jury Award - Film Festival Mauriac
1997
Special jury award certifcate for Sangoma.
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Sangoma - Outtakes
1997
Outtakes - Zulu traditional healers and their work in plant conservation and primary health care, including AIDS.
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Sangoma - Script
1998
Zulu traditional healers and their work in plant conservation and primary health care, including AIDS.
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Sangoma - Special Oxfam Canada screening
1999
Sangoma - Special Oxfam Canada screening. Premiere.
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Secret Safari
2000s
Story of weapons’ smuggling into South Africa during apartheid.
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Shadowplay
1969
Y
Short, dramatic film about two Surrey grammar school (Wallington County Grammar School) boys who dream of a plan to defy their teacher’s authority.
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Shadowplay, Wallington County Grammar School, Surrey, abstract , fencing
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys burying body
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys carrying body
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys carrying corpse in costume
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys in costume
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys on camera, clapper
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, boys with 16mm camera
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, clapperboard and ghosts
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, crew setting up
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, moving camera
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, Peter Davis and Bolex
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, school coat of arms
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, standing behind tripod
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shadowplay, Wallington County Grammar School, Surrey, teacher with 16mm
1958
Stills taken during Peter Davis first film, Shadowplay, in Beddington School. His first and only fiction work.
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Shakaland, South Africa, Attraction, Nkwalini, Eshowe, Signage
1995
Shakaland was an attraction in Eshowe in the scenic province of KwaZulu-Natal, along the east coast of South Africa. It is now permanently closed. Small collection of stills taken by Peter Davis.
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Shakaland, South Africa, Attraction, Nkwalini, Eshowe, Signage, closeup
1995
Shakaland was an attraction in Eshowe in the scenic province of KwaZulu-Natal, along the east coast of South Africa. It is now permanently closed. Small collection of stills taken by Peter Davis.
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Shakaland, South Africa, Attraction, Nkwalini, Eshowe, Signage, lookout
1995
Shakaland was an attraction in Eshowe in the scenic province of KwaZulu-Natal, along the east coast of South Africa. It is now permanently closed. Small collection of stills taken by Peter Davis.
vf_ajiwcldfkm
Shakaland, South Africa, Attraction, Nkwalini, Eshowe, Signage, props
1995
Shakaland was an attraction in Eshowe in the scenic province of KwaZulu-Natal, along the east coast of South Africa. It is now permanently closed. Small collection of stills taken by Peter Davis.
vf_vywiqzlooo
Sharpeville Massacre
1960
Y
Y
16mm footage of The Sharpeville massacre on 21 March 1960 at the police station in the township of Sharpeville in the then Transvaal Province of the then Union of South Africa.
vf_ushwbzvsot
Side By Side - Special screening
2011
Performance Arts against AIDS: Southern African Experiences. Chase Auditorium.
vf_zlwjldavqo
Side By Side: Women Against Aids In Zimbabwe
1997
Women of Africa: wives, mothers, labourers, nurturers. Now, in the wake of the AIDS pandemic women also serve as care-givers to family and community members afflicted with HIV or AIDS. In the fight against AIDS, Zimbabwean women stand side by side mobilizing communities, educating people, and empowering women. This documentary is a positive message of self-help and determination.
vf_cjysntstts
Side By Side: Women Against Aids In Zimbabwe - Script
1997
Women of Africa: wives, mothers, labourers, nurturers. Now, in the wake of the AIDS pandemic women also serve as care-givers to family and community members afflicted with HIV or AIDS. In the fight against AIDS, Zimbabwean women stand side by side mobilizing communities, educating people, and empowering women. This documentary is a positive message of self-help and determination.
vf_bxcjkvkwhf
Sieg Im Westen
1941
Y
Nazi German Propaganda Reel.
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Sierra Leone, streets, bare bottom
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, portrait, children posing for camera
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, portrait, man smoking in a striped shirt
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, portrait, mother and child
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, portrait, woman and man, tongue out
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, portrait, woman in doorway
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
vf_wfkgvvzkju
Sierra Leone, streets, small child alone on wall
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, smiling child, portrait
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, street scene, children playing on steps
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
vf_veiagjacky
Sierra Leone, streets, street scene, stalls
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
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Sierra Leone, streets, woman carrying basket on head
1974
Small collection of street scene photos taken in Sierra Leone by Peter Davis.
vf_mnklbvrhoz
Siliva The Zulu
1927
Y
Dramatic feature (silent film). A first look at Zulu life in South Africa. Fiction.
vf_bokhaiahos
Social Gospel And The Public Good
2004
Intersecting lives of two prairie politicians in Canada, JS Woodsworth and William Aberhart.
vf_pcclhstnfw
Song Of Africa
1951
Y
Story of a Zulu jazz band. Story of a Zulu jazz band Musicians: African Inkspots, (singing Coming Through the Rye, I’m Jealous of You). Mabel Magada, Albertina Temba, Daniel Moshesh, George Mabuza, John Lekgetho, Matome Ramagkopa, Beryl Tshabalala, Jarvis Dicimelo, Hessy Kerry, Joe Leshabone, Emily Koenane, Prince Moloto, Victor Nikani, Black Broadway Boys, D.R.C. Choir under the direction of Joseph Makhem. There’s Something in the Air, Zulu drum dance, Machope(?) dancegumboot dance, Latin dance.
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Song Of Africa - Poster
1951
Story of a Zulu jazz band.
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Song Of Africa - Promo Poster
1951
Story of a Zulu jazz band. Promotional material postcard.
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Songololo
1991
The praise poet Mzwakhe Mbuli and storyteller Gcina Mhlope in the new evolving culture of post-apartheid South Africa.
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Songs Of The Adventurers
2000
Music of migrant workers.
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Songs Of The Badius
1986
Music from the Cape Verde Islands
vf_ujjemamglu
Sons Of Uncle Tom - Deep South
1965
Y
Outtakes from a Swedish TV documentary about the Deep South, civil rights and racism. This clip features Fannie Lou Hamer, an American voting and women’s rights activist, community organizer, and a leader in the civil rights movement.
vf_lkpusopfjo
Sons Of Uncle Tom - New York
1965
Y
New York City footage from 1964 by highly-acclaimed documentarian Robert Elfstrom depicting daily life in Harlem, Cassius Clay in front of the Hotel Theresa, a school segregation civil rights protest, and suburban life.
vf_svxwccwxgq
Sons Of Uncle Tom - Script
1965
New York City footage from 1964 by highly-acclaimed documentarian Robert Elfstrom depicting daily life in Harlem, Cassius Clay in front of the Hotel Theresa, a school segregation civil rights protest, and suburban life.
vf_dcptqvbuan
South Africa Black Protest Rally 1950s
1950s
Y
Y
South Africa Black Protest Rally 1950s
vf_dldwskydyd
South Africa Train Station and Township
1950s
Y
Y
Stock footage
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South Africa Transkei and Sharpeville
1950s
Y
Y
Stock footage
vf_wwgvnabvxe
South Africa Unrest (1980s)
1980s
Unedited Broll footage of protest on the streets of Johannesburg. Stock.
vf_jqqkzgigjb
South Africa White Nationalist Rally
1940s
Y
Y
South Africa White Nationalist Rally
vf_fwxemxhkna
South Africa, Johannesburg Newsreels
1940s
Y
Y
Mixed reel of general views around 1940s Johannesburg city and Townships.
vf_qdeykcltyv
South Africa: The Nuclear File
1985
Story of how apartheid South Africa achieved nuclear weapons capability with a little help from its friends in the West, and the investigative reporters and spies who broke the secret.
vf_zosozqzotr
South Africa: The Nuclear File - Script
1985
Story of how apartheid South Africa achieved nuclear weapons capability with a little help from its friends in the West, and the investigative reporters and spies who broke the secret.
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South Africa: The Wasted Land
1990
Apartheid and environmental degradation.
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South African Film Festival Vancouver, award
2018
Certification in recognition of Peter Davis’ films, for his decades of outstanding cultural and political work.
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South African Opposition Newspapers
1988
B-roll and Interviews. New Nation (20 minutes) - “Vrye Weekblad” with Max Du Preez (12 minutes) - “South” newspaper (16 minutes).
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South Newspaper Journalists - Unedited Interviews
1988
Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films. B-roll and interviews.
vf_qwkuofzbyc
Soweto - The 16th Of June
1970s
Propaganda film that gives a biased view of the events leading up to and after the uprising in Soweto, June 16th, 1976. B-roll.
vf_cbirhefien
Spain In Flames
1936
Y
Documentary made in 1936 by Helen van Dongen (editor of The Spanish Earth) about the Spanish Civil War. French language. With Subtitles.
vf_krytzsgjpv
Spanish-American Civil War - Various
1898
Y
Y
Contents. Advance guard return of NJ troop. Astor Battery on parade. Burial of Maine victims. Early Morning Attck (reconstruction). Troops disembarking. Cuban refugees waiting for rations. Cuban volunteers embarking. Cuban volunteers marching formations. Samson and Schley controversy (Tea Party 1901). Troops at evacuation of Havana (1899). Transport Whitenet leaving dock. Transport ship at Port Tampa. President Roosevelt and Rough Riders (1903). Landing of US troops near Santiago. Military camp at Tampa. Admiral Sampson on board the flagship. 100th US Infantry disembarking. Skirmish of Rough Riders.
vf_wszryybela
Spirit Here Today
1994
Zimbabwe music documentary.
vf_sfzqodgnah
Sport And Apartheid - Propaganda - Compilation
1980s
Propaganda film by South African government’s Ministry of Foreign Affairs and Information that concedes a particularly neutral opinion of the country’s sports boycotts, particularly in rugby union. The film focuses on the controversial 1980 British Lions tour to South Africa and the country’s efforts made towards “racially equal sport.”
Features former member of the South African Rugby Board and sports academic Danie Craven; anti-apartheid activist Archbishop Trevor Huddleston; former England international rugby union player Peter Wheeler; BBC Foreign Correspondent Paul Martin; former athlete and BBC Sports Commentator Paul Dickenson and former rugby union international, Bob Weighill.
vf_aqrrdoqrvv
Steel Bands Of Trinidad
1988
Theory and practice of steel band performance. Every year the islands of Trinidad and Tobago are caught up in the frenzy of Carnival. Every year the islands of Trinidad and Tobago are caught up in the frenzy of Carnival, a tradition inherited from the brief passage of the French through those islands.
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Steven, Cinema owner and projectionist - Unedited Interview
1990
Johannesburg, 26 July 1990. Unedited Interviews with South African (and some American) writers, journalists and activists made in the late ‘80s, 90s mostly on the subject of censorship and films.
vf_lgmgpwoqoe
Strip
1967
Y
A documentary that looks at the unglamorous life onstage, and behind the scenes, in the Phoenix Club, a striptease venue in London’s ‘swinging’, 1960s Soho.
vf_iiwejgctdu
Strip - Script
1967
A documentary that looks at the unglamorous life onstage, and behind the scenes, in the Phoenix Club, a striptease venue in London’s ‘swinging’, 1960s Soho.
vf_sselwivwet
Strip - VHS Sleeve
1967
A documentary that looks at the unglamorous life onstage, and behind the scenes, in the Phoenix Club, a striptease venue in London’s ‘swinging’, 1960s Soho.
vf_jspsuirmus
Taking Back The Waves
2005
Surfing and apartheid past and present told through the experience of a black surfer.
vf_atjidevepo
Taking Haart
2000s
The struggle for access to AIDS treatment in South Africa.
vf_ptrlvqzdtr
Tanzania, Dar es Salaam, cityscape, high view
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_tzefeihijp
Tanzania, Dar es Salaam, landscape, boat on beach
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_obwzyqzigl
Tanzania, Dar es Salaam, landscape, dwelling, orange
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_dlupkralqe
Tanzania, Dar es Salaam, landscape, harbour, wide-shot
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_hxxscimvtu
Tanzania, Dar es Salaam, landscape, modernist building, central
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_iybhwlwkja
Tanzania, Dar es Salaam, landscape, modernist building, street scene
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_blapmtwncs
Tanzania, Dar es Salaam, landscape, sea shell vendor
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_vupybkrgip
Tanzania, Dar es Salaam, landscape, tin roof amd street scenes
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_ukvyygeiat
Tanzania, Dar es Salaam, landscape, wide shot, apartments and sea view
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_leoxjhqudl
Tanzania, Dar es Salaam, portrait, young man
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_exzubguxey
Tanzania, PAC, Pan Africanist Congress camp, Elias Ntlodibe
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_rsvmawfsfk
Tanzania, PAC, Pan Africanist Congress camp, Elias Ntlodibe, portrait
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_wxunayctfr
Tanzania, PAC, Pan Africanist Congress camp, men in lecture
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_svhlttdyfx
Tanzania, PAC, Pan Africanist Congress camp, men in lecture, sunset
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_zhzxqxjmai
Tanzania, PAC, Pan Africanist Congress camp, men reading pamphlets
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_sjgynhazpp
Tanzania, PAC, Pan Africanist Congress camp, men, portarit
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_acloocysdn
Tanzania, PAC, Pan Africanist Congress camp, mountains
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_rtyymezccy
Tanzania, PAC, Pan Africanist Congress camp, standing and talking
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_liivnkfisb
Tanzania, PAC, Pan Africanist Congress camp, sunset
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_oaxmqjjbeu
Tanzania, PAC, Pan Africanist Congress camp, trees
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_hgbpsyxwbi
Tanzania, PAC, Pan Africanist Congress camp, trees and buildings
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_tvozbkhhxj
Tanzania, PAC, Pan Africanist Congress camp, wide-shot
1978
Images taken by Peter Davis during the filming of Generations of Resistance. Davis went to film with Pan Africanist Congress (PAC) members. The PAC camp was in a secret location (to hide from the South African ANC rivals).
vf_lutsamkgal
Thato
2011
Story of a young HIV woman who is pregnant.
vf_ityxrfbbpc
The 13th Guest
1970
A group of middle-class Americans gather for dinner, and discuss and dispute the tortured state of America in 1970, during the Vietnam War. Cinematographer Robert Elfstrom’s take on a divided nation.
vf_worpxitkvz
The Anatomy Of Apartheid
1965
Anthony Thomas’ (dir.) ‘The Anatomy Of Apartheid’ aims at generating positive propaganda for the apartheid government and defending its policy of separate development. An introduction to the ‘3 phases’ of the apartheid system in South Africa, culminating in the Bantu Self-Government Act.
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The ANC: A Time For Candour
1980s
A critical look at the philosophy, leaders, and activities of the African National Congress making the case that the ANC encourages violence, is a “peddler of the Soviet slant” and a communist organization. Examines links between the ANC and the United Democratic Front (UNF).
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The Battle For Johannesburg
2010
The severe social struggle during the lead-up to the football World Cup of 2010 (two versions, 50 and 72 mins).
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The Battle For Johannesburg - DVD Sleeve
2010
DVD Sleeve for The Battle For Johannesburg. The severe social struggle during the lead-up to the football World Cup of 2010 (two versions, 50 and 72 mins).
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The Condemned Are Happy
1958
Y
By director Jamie Uys (who later would make THE GODS MUST BE CRAZY) this is the apartheid government’s whitewashed presentation of African forced removals.
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The Cry Of Reason - Beyers Naude: An Afrikaner Speaks Out
1988
Life and work of anti-apartheid minister Beyers Naudé. South Africa. Alexandra Townships.
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The Dixie Mission
1970s
What happened to the Foreign Service officers who appear in MISSION TO YENAN, and who reported favourably on co-operation with the Chinese Communists in the war against Japan, and how they were blacklisted. The United States Army Observation Group, commonly known as the Dixie Mission, was the first US effort to establish official relations with the Communist Party of China and the People’s Liberation Army, then headquartered in the mountainous city of Yan’an.
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The Dixie Mission - Mission To Yenan - Script
1970s
What happened to the Foreign Service officers who appear in MISSION TO YENAN, and who reported favourably on co-operation with the Chinese Communists in the war against Japan, and how they were blacklisted.
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The Fox Has Four Eyes
1959
Y
Witchcraft and the South African penal system, by director Jamie Uys. Imcomplete.
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The Gospel Road - June Carter Cash - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Robert Elfstrom as Jesus - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Robert Elfstrom as Jesus, crucifix - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Robert Elfstrom as Jesus, Saul Holiff - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Soundtrack - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road - Soundtrack - Poster
1973
Johnny Cash brings to the screen the story of Jesus of Nazareth…filmed in the Holy Land where it happened.
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The Gospel Road, production stills, Jesus on cross
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Jesus on cross, centurions
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash in water, baptism
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash on rock face, with Bible
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash standing, in black, portrait
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash with Robert Elfstrom, off-set
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, cast member
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, crew coming down aeroplane steps
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, crew coming down aeroplane steps, Cash holding child
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, crew, Jesus in background
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, crucifix, crowd watch on
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, in the river with Cash, baptism, June Carter
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Jerusalem street, polaroid
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, portrait
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom and woman smiling
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom camera, Cash
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus backlit, camera
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in crowd
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in gown
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus in gown
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus on pedestal
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus on pedestal looking down
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, on crucifix, black and white
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, polaroid
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, preaching
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, raised on crucifix
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, Jesus, Saul Holiff
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, June Carter Cash
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, June Carter Cash, other woman
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Johnny Cash, Robert Elfstrom, off-set
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, polaroid, crew shot
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom director, actor as Jesus, crown of thorns
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, children
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, in boat
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, in boat, long-shot
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, on shore, crew
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, black and white
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, black and white, behind tree
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, Jesus, preaching, children
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, keffiyeh
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, keffiyeh, portrait
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, off-set
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Gospel Road, production stills, Robert Elfstrom, portrait
1973
Exclusive images from the production of The Gospel Road. Johnny and June Carter-Cash invited Bob Elfstrom to film their life of Christ, Gospel Road, the ultimate expression of their religious beliefs. As an expression of their evaluation of Elfstrom, as well as having him produce and shoot their film, they invited him to play a part of Jesus.
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The Guguletu Seven
2001
Powerful story of a police murder conspiracy during the apartheid era, with scenes from the Truth & Reconciliation Commission. Cape Town.
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The Guguletu Seven - DVD Sleeve
2001
Powerful story of a police murder conspiracy during the apartheid era, with scenes from the Truth & Reconciliation Commission. Lindy Wilson.
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The Legacy Of Jon Gates
1993
Documentary on the Canadaian AIDS activist, Jon Gates.
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The Legacy Of Jon Gates - Script
1972
Documentary on the Canadaian AIDS activitst, Jon Gates.
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The Legacy of Jon Gates - VHS Sleeve
1972
Documentary on the Canadaian AIDS activist, Jon Gates.
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The List
2010
South African indie comedy THE LIST is the story of Lesego Thambo, a Johannesburg over-achieving, cheese-boy (Tsotsi slang for lower middle class person who has achieved upward mobility), who’s just turned 25 and has already ticked everything off his list of life goals. The film follows Lesego as he experiences a quarter-life crisis, with all the madcap twists that entails.
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The Long Tears
1998
The story of Ndebele art, culture and traditions told through the experience of one family.
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The Lost Boys
2003
The story of a group of young men born during the agonies of the apartheid era in a fractured society that led them to violent crime. Now, through group therapy, they are trying to turn their lives around.
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The Making Of Raja Edepus
2008
Making of The Oedipus story recast in Balinese style, with gamelan accompaniment, and a documentary about the making of the Balinese version.
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