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The Mbira Series: Mbira Dza Vadzimu - Religion at the Family Level

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Extract 2
Extract 3
1978/2021
0:57:56
Zimbabwe
In this remarkable portrait, we look into the life of Shona mbira player Gwanzura Gwenzi working in the city for a large western corporation. At his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira.
Physical formats available:
16mm
Digital formats available:
Quicktime (Pro Res)
Audio & visual:
Sound, Color

The life of Shona mbira player Gwanzura Gwenzi coexists in both the traditional and modern worlds: he works in the city for a large western corporation; at his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira. His sister Francisca is the family medium for the spirit of Kaodza, their great-grandfather.

The highlight and centerpiece of the film is a bira, perhaps the only one ever completely captured on film.  We see the various stages and liturgical components of the ceremony, culminating in the arrival of the spirits late at night. Francisca’s daughter, now-famous mbira player Stella Chiweshe becomes possessed by a snake spirit.

Kaodza arrives through Francisca, and the family confers with the spirit in an extraordinary scene that shows how ancestors interact with the living.

Producer: Gei Zantzinger (University of Pennsylvania Museum)
Director: Andrew Tracey (International Library Of African Music)
Camera: Les Blank
Editor: Conley Benfield
Field Research Assistant: Rosemary Logie
Field Engineer: Bud Huggler
Collection
Music and Dance
(63)
Global selection of music and dance films and titles.
Collection
Constant Spring Productions
(18)
Ethnomusicologist Gei Zantzinger was an independent filmmaker and student of folklore who began making films in Africa in 1966, collaborating with musicians and other notable ethnomusicologists and filmmakers. His career in the social sciences spanned nearly 50 years. Gei’s efforts resulted in a broad collection of 17 extraordinary films made between 1966 and 1997 that examine the roles that oral traditions, music and dance play in preserving and informing personal, cultural and spiritual identity in disparate communities around the world.